Written by Misha Green, the television show creates an immovable life force with its story and pacing as it takes our main characters through the terrifying mazes Jim Crow-era America and a secret, witch cult called the Sons of Adam. What really elevates the show to new, heightened levels is the incorporation of symbolic references that add on to an already linguistically and thematically nuanced storyline. It makes you think. It keeps you on your toes, finding new information and Easter eggs with each re-watch.
I just started I May Destroy You yesterday. I also just got caught up with I May Destroy You yesterday. Written by and starring Michaela Coel, I May Destroy You is a new, HBO show that chronicles a young writer named Arabella (Coel) as she deals with the aftermath of being sexually assaulted at a bar one night. I May Destroy You explores the “perfect victim,” linear healing, and different forms of sexual abuse all in one. One line that really stuck out to me was, “The problem is when people don’t know what is a crime and what isn’t a crime, they don’t report it and people get away with it.”
Black is King feels like something new. As a longtime fan, it feels like a transcendental step in Beyoncé’s career. From her early albums and early acting projects, to “Beychella”, Lemonade, and now Black is King, Beyoncé has continuously stepped more into herself, more into her own creativity and vision in a way that shows her growth, the growth of her fans, and Black pride overall. She steeps herself and her art in Black culture. She has always been a standout, an idol, for many in the Black community.
There are many memorable moments in Spike Lee’s 2020 film Da 5 Bloods. From Delroy Lindo’s performance- hell, the entire cast’s performance- to the cinematography and the story line, the film held me awestruck, tearful, and contemplative through its entirety. But perhaps the most compelling aspect of this film for me was Lee’s incorporation of Marvin Gaye’s 1971 album What’s Going On. It was such a minor, yet monumentally, moving choice that etched this film into my brain and sent my thoughts soaring.
Starring Nicole Beharie, Alexis Chikaeze, and Kendrick Sampson, Miss Juneteenth is a generational story of Black motherhood and womanhood. It is also a film about liberation in one of its most intimate forms. Turquoise “Turq” Jones (played by Beharie) is a dedicated mother who is preparing her daughter, Kai (Chikaeze), for the Miss Juneteenth pageant- a pageant that she won back in her own time. The film follows them through this journey, but it is also follows Turq through her own.
Atlantics (2019) was first released at the 2019 Cannes Film Festival when it competed for the Palme d’Or. The films director and co-writer, Mati Diop, made history when she became the first black woman who directed a film featured in the competition- also winning the Grand Prix award for it. After its release at Cannes and later in Senegal, the film was picked up and released on Netflix for wide viewing.
Jezebel (2019) is a semi-autobiographical, coming-of-age film written and directed by Numa Perrier. The story follows 19 year old Tiffany (Tenille) through the struggles of growing up and losing her mother, while she also finds work as a cam-girl.
You know the story, from Louisa M. Alcott, that has been re-adapted again and again for television and film. Little Women is a story that follows four sisters- Amy, Jo, Beth, and Meg March- through Civil War-era America and their paths to womanhood. You may think, what does a story about 19th century women have that can relate to 21st century women? Well, that’s where Greta Gerwig (writer/director of Lady Bird (2018)) comes in- to bridge that gap between two centuries of ‘little women,’ growing up in two vastly different times. And in this way, I believe Gerwig and the cast of Little Women succeed while still solidifying and celebrating the beauty of the source material.
Honey Boy (2019) is the autobiographical screenplay written by Shia LaBeouf and directed by Alma Har’el. It’s the story of a young boy named Otis (played by Noah Jupe) as he finds himself in the spotlight of the acting world while also dealing with the turmoil and abusive relationship with his father James (played by LaBeouf himself.)
Netflix’s new show, The Witcher, based on a slew of books, stories, video games, and more content of the same name, premiered just at the end of 2019 and really ended the streaming services year of shows and original films with a ‘bang.’ In the new series, we watch as states literally rise and others fall at the hands of those risen states, and we watch as Mages helm the opposing sides into victory. The Witcher is much like many fantasy shows of it’s kind, with witches and kings and queens galore, but what I believe this show began, and what I hope it will continue to do, is tell in-depth stories about the characters of its show and also offer ample opportunities for people, especially women, of color.